Early 2000s Abstract Prints

Lithograph, 2005 Handsigned by the artist in pencil and numbered 122/150 Printer : Frédéric Possot, Paris 100.00 cm. x 72.50 cm. 39.37 in. x 28.54 in. (paper) Certificate of authent...

Lithograph, 2005 Handsigned by the artist in pencil and numbered 122/150 Printer : Frédéric Possot, Paris Certificate of authenticity Excellent condition LCD6447

Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...

Warren Rosser Hinged Reflection Year: 2003 8 Color Lithograph Edition: 30 Paper: Rives BFK Paper Size: 30.25 x 82.5 inches (two sheets joined) Image Size: Same Signed and numbered by...

One screen print in colors on wove paper, 2009, signed in pencil, dated and numbered, Edition of 117 (total edition includes 18 artist's proofs), image: 769 by 769 mm 30 1/4 by 30 1/...

A darkening sky is illuminated by the eclipsed view of a bold deep blue moon in this contemplative piece by Otto Rogers. He was seen as a ‘big attack painter’ by the renowned art cri...

This is an Iris print in soft yellow and red tones. It is signed and numbered. The total edition size is 72 plus 18 APs. "Calling to mind the work of Martin Puryear, Paul Klee, Alex...

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...

Luis Feito (Spain, 1929-2021) 'Guadarrama IV', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-062 Hand-signed by author

Christopher Wool (b. 1955) Untitled, 2006 Screenprint in colors on Rives BFK paper 30 x 22 inches (unframed) P.P. 2/4 (A printer's proof aside from an edition of 40) Signed, numbered...

Luis Feito (Spain, 1929-2021) 'Guadarrama VI', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-064 Hand-signed by author

the painting is being offered with a work and authenticity certificate

Jorg Immendorff (German, 1945-2007) Untitled, Germany, 2006 serigraph hand signed and dated lower right margin, numbered 20/27 lower left framed 74.5 x...

The Oliver which is in several museum collections and has won numerous awards) is being used to promote the show, Printed Ladies, opening March 1st at The Metropolitan Museum of Art, and will be reproduced on the cover of the upcoming revised second edition of Carol's book, The Mezzotint: History and Technique which is due out in early 2024 Thomas Oliver invented the first double-sided lateral top stroke machine. This was No. 9 introduced in 1916. With light focused on the machine it suggested the logo of the Bugs Bunny Looney Tunes series - giving off an anima-like aura. The print was issued in an edition of 75. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...

F. Crespo author of a world-famous giant sculpture Pope Francis Heart. Makes a first edition of his private and utopian projects. Fernando Crespo is a recognized artist in Portugal. ...

Luis Feito (Spain, 1929-2021) 'Guadarrama V', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-063 Hand-signed by author

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Justin Knowles Yellow, Green and Red, 2002 screenprint signed, numbered and dated an edition of 25 50 x 65 cm In excellent condition in a brand new box frame

Justin Knowles Yellow, Green and Red, 2002 screenprint signed, numbered and dated an edition of 25 50 x 65 cm In excellent condition in a brand new box frame

José Manuel Broto - IRIS 4 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Diacetoxyscirpenol  By Damien Hirst 2005 Etching 111.5 x 200.7 cm.  Edition of 117.  Hand signed by Hirst on the front, and numbered from the edition of 115 on the reverse.  D...

Engraving with carborandum & collages, ed. 12/30 + white frame James Coignard (1925-2008) was a well known French artist/printmaker recognised for his colourful, geometric abstracti...

José Manuel Broto - Iris 6 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Engraving with carborandum & collages, ed. 6/30 + white frame James Coignard (1925-2008) was a well known French artist/printmaker recognised for his colourful, geometric abstractio...

Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from the edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln ...

Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 i...

ROSS BLECKNER (American, b. 1949) "D Loop," 2002 Limited Edition Print : Color Aquatint With Spit Bite Aquatint And Gampi Chine-Collé on Somerset Paper Approximate dimensions - Frame 29.5 X 28,.5 inches, sheet 27 x 26 inches. Edition lower left: 2/20, Hand signed lower right. Publishers blind stamp lower right margin: Paulson Press. Ross Bleckner draws inspiration from science, psychology, and his own personal experience. The title of this print, D Loop, refers to molecular biology and DNA repair abstracted in vivid blue and yellow. Ross Bleckner (born May 12, 1949) is an American artist. He currently lives and works in New York City. His artistic focus is on painting, and he held his first solo exhibition in 1975. Bleckner grew up in Brooklyn, New York and he grew up Jewish. In an interview, Bleckner commented that he was fortunate to have supportive parents. In 1961, Bleckner and his family moved to a more affluent town in Hewlett Harbor, New York, where he attended George W. Hewlett High School. In 1965, Bleckner saw his first art exhibition, The Responsive Eye, at the Museum of Modern Art, which went on to have a huge impact on his artwork. Eventually, this was a time when he realized that he wanted to become an artist. Bleckner went on to study at New York University, where he studied alongside fellow artist Sol LeWitt and Chuck Close. During college, Bleckner worked in an art supply store and drove a taxi. He received his Bachelor of Fine Arts (B.F.A) from New York University (1971), and later received his Master of Fine Arts (M.F.A) at California Institute of the Arts. In 1974, when Bleckner moved back to New York, he moved into a Tribeca loft building. Three of the floors were rented to the painter Julian Schnabel and from 1977 to 1983 the Mudd Club, a nightclub frequented by musicians and artists, was in the same building. In 2004 Bleckner sold the building. He held his first solo exhibition in 1975 at Cunningham Ward Gallery in New York. Then In 1979 he began what was to become a long association with Mary Boone Gallery in New York. In 1981 Bleckner met Thomas Ammann, who was an influential Swiss art dealer who went on to collect Bleckner's work. Early 1990s, Bleckner did his first abstract painting called Cell painting which showed an example of human body cell diseases. Since either the 1980s or 1990s as an openly gay artist, his art has been largely an investigation of change, loss, and memory, often addressing the subject of AIDS. Bleckner uses symbolic modernist imagery rather than direct representation, and his work is visually elusive, with forms that constantly change focus. While much of Bleckner's work can be divided into distinct groups or series with motifs repeated from painting to painting, he is also in the habit of redeploying and combining old motifs. Bleckner has posited that a painting is never finished, provided it is still in his studio, because it can always be improved. In 2009, Bleckner published a book of his theoretical art statements entitled Examined Life: Writings, 1972-2007 that was published by Edgewise Press. In 1995, the Solomon R. Guggenheim Museum had a major retrospective exhibition of his works from the last two decades of exhibitions at acclaimed institutions such as San Francisco Museum of Modern Art, Moderna Museet in Stockholm, and the Carnegie Museum of Art. He was one of the youngest artists to be featured at the Guggenheim. Bleckner's works are held in collections around the world including Museum of Modern Art, New York, (he was included in the show Contemporary Works from the Collection, MoMA along with Carl Andre, Richard Artschwager, Marcel Broodthaers, Jim Dine, Howard Hodgkin, Jasper Johns, Donald Judd, Anish Kapoor, Ellsworth Kelly, Robert Mangold...

Cheryl Warrick (American, b. 1956), "Peace Makes Plenty" Color etching, soft ground, white ground, drypoint, and chine colle, on Hahnemuhle Copperplate...

Jose Manuel Broto - IRIS 1 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In very good conditions and never framed Observations: Etching on ...

Lithograph, 2005 Handsigned by the artist in pencil and numbered 122/150 Printer : Frédéric Possot, Paris 100.00 cm. x 72.50 cm. 39.37 in. x 28.54 in. (paper) Certificate of authent...

Lithograph, 2005 Handsigned by the artist in pencil and numbered 122/150 Printer : Frédéric Possot, Paris 100.00 cm. x 73.00 cm. 39.37 in. x 28.74 in. (paper) Certificate of authen...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...

Robert Indiana HOPE for the Democratic National Committee, 2008 Oil silkscreen in colors on watermarked Coventry archival paper 25 × 19 inches Edition 138/200 Signed, dated and numbered 138/200 in graphite pencil on the front; paper is watermarked by AIA with text (There were also 25 Artist's Proofs) Published by American Image Art (AIA) for the Obama Victory Fund and the Democratic National Committee, master printer Gary Lichtenstein Unframed This work was published in 2008 as part of the "Artists for Obama" portfolio, in which some of the top artists contributed prints to raise money for Obama's presidential campaign. Robert Indiana donated all of the proceeds of the sale of this work to electing Barack Obama. During the 2020 election, it became an even greater part of American popular culture when it was featured on the influential NBC show Saturday Night Live's cold open skit featuring the Vice Presidential debate between Kamala Harris and Mike Pence. Mid-debate, "Joe Biden" (played by actor Jim Carrey...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Justin Knowles Yellow, Green and Red, 2002 screenprint signed, numbered and dated an edition of 25 50 x 65 cm In excellent condition in a brand new box frame

Twombly Exhibition -  Galerie Di Meo is a colored offset-poster realized in 1989. This artwork was realized in occasion of the exhibition of  Cy Twombly  held at Leo Castelly Galler...

Serpentine with Orchids, 2005 Four-color screenprint on Rives BFK. Edition: 50 + 7 artist’s proofs 28 x 22 (paper size) framed by Bark Frameworks. Michael Burton Mazur (1935-August ...

Lithograph, 2000 Handsigned by the artist in pencil and annotated EA 30/30 47.00 cm. x 60.00 cm. 18.5 in. x 23.62 in. (paper) 35.00 cm. x 49.50 cm. 13.78 in. x 19.49 in. (image) ...

Damien Hirst In A Gadda Da Vida, 2004 Gravure print on paper unsigned 52.0 x 52.0 cm (21.5 x 21.5 in) unknown edition size published by Other Criter...

Lithograph Handsigned by the artist in pencil and numbered 122/150 54.00 cm. x 75.50 cm. 21.26 in. x 29.72 in. (paper) Certificate of authenticity LCD6451

Lithograph Handsigned by the artist in pencil and numbered 119/150 Printer : Frédéric Possot, Paris 54.00 cm. x 75.50 cm. 21.26 in. x 29.72 in. (paper) Certificate of authenticity L...

Lithograph, 2006 Handsigned by the artist in pencil and numbered 122/150 54.00 cm. x 75.50 cm. 21.26 in. x 29.72 in. (paper) Certificate of authenticity LCD6453

Inkjet printed in colors on wove paper. Hand signed & numbered by Damien Hirst. Published by Other Criteria, London. Image size 19.75 by 26.625 inches. Sheet size 26.875 by 32...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001)" *Signed by Kelly in pencil lowe...

Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed This poster was published on the occasion of Serra's October 2001 exhibition at the Gagosian Gallery - one month after 9/11; The posters were sold for the benefit of the Twin Towers Fund and a certain quantity were hand signed by the artist. Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Ohne Titel (Blatt 2 der Folge Genesis), 2006 Woodcut in colors, on wove paper 29 3/4 x 17 3/4 in. (75.5 x 45 cm) Edition of 35 Signed and numbered in pencil, lower margin

Namib Dune II, 2003 Woodcut in colors, on wove paper 23 4/5 x 31 3/4 in. (60.5 x 80.5 cm) Edition: 18/35 Signed and numbered in pencil, lower margin

Cosmos II B, 2003 Lithograph in colors, on wove paper 22 x 29 7/8 in. (56 x 76 cm) Edition of 25 Signed and numbered in pencil, lower margin

Cosmos III, 2003 Lithograph in colors, on wove paper 29 7/8 x 22 in. (76 x 56 cm) Edition of 120 Signed and numbered in pencil, lower margin

Spiegelung I, 2004 Lithograph in colors, on wove paper 22 x 29 7/8 in. (56 x 76 cm) Edition of 120 Signed and numbered in pencil, lower margin

Cosmos I A, 2003 Lithograph in colors, on wove paper 22 x 29 7/8 in. (56 x 76 cm) Edition of 120, HC 6/12 Signed and dated in pencil, lower margin

Vintage Poster is an Offset realized for the exhibition by Michel Haas at Galerie Di Meo Paris in 2003. The artwork is represented in a well-balanced composition. Good condition, n...

Robert Indiana Pax, Paix, Shalom (The Peace Print), 2004 Silkscreen in 4 colors on rives BFK paper Hand signed, dated, titled and numbered 35/50 in pencil by Robert Indiana on the f...